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曲巖:廢墟的雨
曲巖:廢墟的雨 開(kāi)幕時(shí)間:2021/01/30 開(kāi)始時(shí)間:2021/01/30 結(jié)束時(shí)間:2021/03/28 展覽地點(diǎn):上海熏依社畫(huà)廊 展覽地址:上海市徐匯區(qū)復(fù)興中路1363弄3號(hào)108室 主辦單位:上海熏依社畫(huà)廊 出品人:Shun 在畫(huà)廊初創(chuàng)期的2008年,我們?cè)谏虾D缮铰?0號(hào)的老空間舉辦過(guò)一個(gè)群展,藝術(shù)家都是來(lái)自魯迅美術(shù)學(xué)院的畢業(yè)生,其中就有曲巖。 時(shí)隔10余年,曲巖的個(gè)展即將在畫(huà)廊遷址后的復(fù)興路空間舉辦。他的作品在堅(jiān)持、演化。從工業(yè)的、頹廢的,到剛強(qiáng)的張力里面蘊(yùn)涵著修行人的瀟灑和超脫,擁有時(shí)間沉淀后的思考和積累。 色彩感覺(jué)里不變的是主色調(diào)碳灰,也欣然發(fā)現(xiàn)近作蘊(yùn)藏了一些藍(lán)、綠新色的實(shí)驗(yàn)和嘗試。 廢墟 你記憶里的故事 自有情節(jié) 和我記憶里的片段 脫節(jié),迥異 在雨中 不用雨傘的我 再也看不到你的大手 憐惜我的模樣 心離開(kāi)了 應(yīng)該就回不來(lái)了 16年的故事 終結(jié)興許可以再出發(fā) 廢墟里 你熟悉的身影 在關(guān)懷另一個(gè)身影 也好吧 廢墟的雨 樹(shù)葉讓我們看不見(jiàn)森林,年少時(shí)我們往往會(huì)太滿,缺乏「余白」的輕松。曲巖的畫(huà)面從張力十足到現(xiàn)在的略見(jiàn)余裕,其實(shí)畫(huà)面里可以看到他真實(shí)的歷史和自畫(huà)像。 Rainy Ruins In 2008, when Shun Art Gallery was in its infan-cy, we held a group exhi-bi-tion at the old space in 50 Mogan-shan Road in Shang-hai, fea-tur-ing grad-u-ates of the LuX-un Acad-e-my of Fine Arts, QU Yan was one of the par-tic-i-pa-tors. More than a decade lat-er, QU Yan’s solo exhi-bi-tion will be held at the gallery’s cur-rent and relo-cat-ed space in Fux-ing Road. His works are per-sis-tent and evolv-ing from an indus-tri-al and deca-dent state to a strong ten-sion express-ing the dash and tran-scen-dence of a prac-ti-tion-er, with the reflec-tion and accu-mu-la-tion of time. The main hue of car-bon gray in his paint-ings remains unchanged, but one may also be pleased to find that his recent works con-tain some new exper-i-ments and attempts of blue and green. Ruins The sto-ry in your mem-o-ry, Has its own plot. The frag-ments in my mem-o-ry, Dis-con-nect-ed, dis-parate. In the rain, The one who doesn’t need an umbrel-la, Won’t be able to see your big hands, Had mer-cy on me. Once The heart has left – It might not return. A sto-ry of 16 years, When it ends, maybe it could start again. In the ruins, Your famil-iar fig-ure, Still car-ing anoth-er one. It’s okay, The rain in the ruins. The leaves pre-vent us from see-ing the for-est, and when we are young we tend to be too self-con-scious, lack-ing the ease of “blank-ing”. Qu Yan’s images have changed from a full ten-sion to the veil-ing space now. Mean-while, through those images, the authen-tic his-to-ry and self-por-tray-ing are pre-sent-ing. 曲巖 QU Yan 出生于1980年,2006年碩士畢業(yè)于魯迅美術(shù)學(xué)院油畫(huà)系,現(xiàn)生活工作于上海。個(gè)展:凝聚與奔放,東籬畫(huà)廊,臺(tái)北 中國(guó)(2015);“梵行手記”曲巖單車(chē)騎行川藏線油畫(huà)與攝影雙個(gè)展,非馬美術(shù)館,成都 中國(guó)(2014)。群展:藝來(lái)藝往兩岸東籬,東籬畫(huà)廊,臺(tái)北 中國(guó)(2017);明心見(jiàn)性,香海畫(huà)廊,上海 中國(guó)(2016)。藝博會(huì):亞洲畫(huà)廊藝術(shù)博覽會(huì)——中日韓畫(huà)廊精品展,中國(guó)文化部,上海 中國(guó)(2012)。 Born in 1980, grad-u-at-ed from Mas-ter of Oil Paint-ing, Lu Xun Acad-e-my of Fine Arts in 2006, Now liv-ing and work-ing in Shang-hai. Solo Exhi-bi-tion: Con-den-sa-tion and Enthu-si-asm, Dongli Gallery, Taipei Chi-na (2015); Jour-nal of Brah-macariya Oil Paint-ing and Pho-tog-ra-phy Exhi-bi-tions of Qu Yan’s Bike-rid-ing Trip along the Sichuan-Tibet High-way, Feima Gallery, Cheng-du Chi-na (2014). Group Exhi-bi-tion: Art to Cross-Strait, Dongli Gallery, Taipei Chi-na (2017); Find One’s True Self, Xiang-hai Gallery, Shang-hai Chi-na (2016). Art Fair: Art Gallery Art Fair—China-Japan-Korea Fine Art Gallery Exhi-bi-tion, Shang-hai Chi-na (2012). 曲巖 QU Yan_廢墟的雨_Oil on Canvas_140×200cm_2008_m 曲巖 QU Yan_灰調(diào)城市_Oil on Canvas_140×100cm_2008_m 曲巖 QU Yan_山河大地_Oil on Canvas_130×150cm_2020_m 曲巖 QU Yan_山水圖_Mixed Media on Canvas_50×40cm_2014_m 曲巖 QU Yan_雪山_Oil on Canvas_40×50cm_2020_m 曲巖 QU Yan_雪山上的野杜鵑_Oil on Canvas_200×420cm_2008_m 鏇插博 QU Yan_琛岃__卂Oil on Canvas_40脳30cm_2015_m 鏇插博 QU Yan_闅愬+鍥__Mixed Media on Canvas_200脳140cm_2014_m 鏇插博QU Yan_涓__鍙朵竴鑿╂彁1_Oil on Canvas_30脳24.5cm_2014_m 鏇插博QU Yan_涓__鍙朵竴鑿╂彁5_Oil on Canvas_21.5脳20.5cm_2014_m 鏇插博QU Yan_闅__Oil on Canvas_25.5脳19cm_2014_m 鏇插博QU Yan_闅__Oil on Canvas_26脳19cm_2014_m
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