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        機(jī)構(gòu):
        所有機(jī)構(gòu)

        相關(guān)展覽信息

        錦灰堆——建構(gòu)一種悖論的當(dāng)代美學(xué)
        2021/6/27~2021/8/27 北京
        丁立人:雙蟲記
        2021/6/19~2021/7/25 北京
        劉聰:午夜
        2021/6/26~2021/7/28 北京
        在迷宮里
        2021/7/2~2021/7/18 上海
        湯志義:春秋之河
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        “傲立——為大國時代綻放” 「7501瓷」上海特展
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        黃炳:你的沉默鄰居
        2021/6/30~2021/10/3 其它
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        生命的公式:米開朗基羅·皮斯特萊托個展
        2021/6/9~2021/9/30 上海民生現(xiàn)代美術(shù)館
        新關(guān)系
        2021/6/12~2021/9/30 其它
        劉聰:午夜

        劉聰:午夜

        開幕時間:2021/06/26 16:00

        開始時間:2021/06/26

        結(jié)束時間:2021/07/28

        展覽地點:妙有藝術(shù)

        展覽地址:北京巿朝陽區(qū)酒仙橋路2號798 創(chuàng)意廣場B區(qū)

        參展藝術(shù)家:劉聰

        主辦單位:妙有藝術(shù)

          定義:午夜,標(biāo)志著全世界民用時間每一天的開始和結(jié)束。作為一天與另一天的劃分點,午夜不容易歸類為前一天或后一天的一部分。盡管在這個問題上全球沒有統(tǒng)一,但通常午夜被認(rèn)為是新的一天的開始,與小時00:00相關(guān)聯(lián)。

        Def-i-n-i-tion: Mid-night marks the begin-ning and end of each civ-il day around the world. As the point of divi-sion between one day and anoth-er, mid-night is not eas-i-ly clas-si-fied as part of the day before or the day after. Although there is no glob-al con-sen-sus on this issue, mid-night is usu-al-ly con-sid-ered the begin-ning of a new day, asso-ci-at-ed with the hour 00:00.

        ——文字來源于《維基百科》The text is from Wikipedia

          我有很多次在午夜乘坐飛機(jī)的經(jīng)歷,飛機(jī)的轟鳴聲讓我會進(jìn)入一種似醒非醒的狀態(tài)。

          午夜所呈現(xiàn)出來的模糊和矛盾與我近期的作品較為吻合:畫面指向性越來越不明顯。就像今年普利茲克獎的建筑師所傳達(dá)的“更少的建筑”理念一樣,我在嘗試的是“更少的繪畫”,即在可控的方法中尋找不可控的圖示。

          這次展覽的作品都是圍繞時間的線索展開,嘗試探索作品中一種模糊時間的概念。

        Many times I’ve been on a plane in the mid-dle of the night, and the roar of the plane has sent me into a kind of half-awake sta-tus.

        The ambi-gu-i-ties and con-tra-dic-tions pre-sent-ed by mid-night are con-sis-tent with my recent works: The direc-tiv-i-ty of the work is less and less obvi-ous. Like the archi-tects who award-ed this year’s Pritzk-er Prize deliv-ered the idea of “l(fā)ess archi-tec-ture,” what I’m try-ing to do is “l(fā)ess draw-ing,” which is to look for uncon-trol-lable images in a con-trolled way.

        The works in this exhi-bi-tion are all about the clues of time, try-ing to explore the vague con-cept of time in the works.

        ——劉聰 Liu Cong

          開幕當(dāng)天同時會發(fā)布由fRUITY-PRESS 出版的兩本劉聰?shù)莫毩⒊霭嫖?《NEW PORTRAITS》和《POLAR DAY》敬請期待。

        劉聰|Liu Cong

          1988年生于遼寧大連,現(xiàn)工作生活于北京。他的作品涉及多種繪畫媒介和形式,他不拘泥于單一的繪畫表達(dá),而更關(guān)注繪畫方法的建立,以及不同媒介之間的相互關(guān)系。他把自己的創(chuàng)作過程比喻為在城市中漫步,在體力消耗的同時總能發(fā)現(xiàn)一些有意思的畫面,從而尋找邊界和打破邊界。

          近期個展包括:

          “午夜” 妙有藝術(shù),北京(2021);“洛克群島” 妙有藝術(shù),北京(2020);“臨時的,暫時的;短暫的” 盤子空間,北京(2019);“寂寞的影子”,麗禾藝術(shù)空間,深圳(2019);更衣室,fRUITSPACE,北京(2019);“自由餐廳”,Link畫廊,北京(2019);“平視”,藝術(shù)方位畫廊,深圳(2018);“鄉(xiāng)村垂釣俱樂部”, fRUITSPACE,北京(2017)。

          主要群展包括:“碧潭” 妙有藝術(shù),北京(2021);“飄” 艾格維畫廊,紐約,美國(2018);“Art Cen-tral 2018”,中環(huán)海濱,香港(2018);“感動的前提”,Link畫廊,北京(2017);“睛彩聯(lián)合國國際藝術(shù)展”,聯(lián)合國,紐約,美國(2017);“花園里的展覽”,L?Space,北京(2017);“紙藏“,Link畫廊,北京(2017);“約翰 莫爾繪畫大賽(中國)”上海喜馬拉雅美術(shù)館 ,上海(2014);南京國際美術(shù)展,南京國際博覽中心,南京(2014)。

        Liu Cong

        Born in 1988 in Dalian, Liaon-ing Province, now lives and works in Bei-jing. Liu Con-g’s works involve a vari-ety of paint-ing media and forms. He does not stick to a sin-gle paint-ing expres-sion, but pays more atten-tion to the estab-lish-ment of paint-ing meth-ods and the rela-tion-ship between dif-fer-ent media. He likens his cre-ative process to walk-ing in a city, find-ing inter-est-ing images while phys-i-cal-ly expend-ing, to find and break bound-aries.

        Recent Solo exhi-bi-tion include:

        “Mid-night”, MOUart, Beijing(2021); “Rock islands”, MOUart, Beijing(2020); “Tem-po-rary”, PLATESPACE, Beijing(2019); “Lone-ly shado”,Lia Art-Space, Shenzhen(2019); “Chang-ing room”,fRUITSPACE, Beijing(2019); “T? Do Restau-rant”, Link Gallery, Beijing(2018); “Par-al-lel Sight”, J&Z Gallery, Shenzhen(2018); “Coun-try Fish-ing Club”, fRUIT-SPACE, Beijing(2017). Major group exhi-bi-tion include:“Green Lake”,MOUart, Beijing(2021); “Drift-float”,Elga Wim-mer pcc, New York, USA(2018);”Art Cen-tral 2018”, Cen-tral Harborfront,Hong Kong(2018); “Touched by the premise”, Link Gallery, Beijing(2017); “Eye-art inter-na-tion-al exhi-bi-tion at the Unit-ed Nations”, Unit-ed Nations, New York, USA(2017); “Gar-den of the exhi-bi-tion”, L?Space, Beijing(2017); “Paper-work col-lec-tion”, Link Gallery, Beijing(2017); “John Moore Paint-ing Com-pe-ti-tion (Chi-na)”, Shang-hai Himalayan Art Muse-um, Shanghai(2014); “Nan-jing Inter-na-tion-al Art Exhi-bi-tion”, Nan-jing Inter-na-tion-al Expo Cen-ter, Nanjing(2014).

        靛 Indigo 木板綜合材料 comprehensive material on wood 30.5x23cm 2021

        極晝 Polar day 木板綜合材料 comprehensive material on wood 20.5x15.5cm 2020

        北京




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